18,232 Free Images of Hand Grenades

the aboriginal portfolio lithographs in the smithsonian american art museum hand-colored lithograph on paper smithsonian american art museum james otto lewis ojibwa people ho-chunk potawatomi (people)romanticism thomas rowlandson

The democracy of France, Isaac Cruikshank, 3 February 1794

decapitations of people in engravings isaac cruikshank

De Gedempte Burgwal te 's-Gravenhage, RP-T-1921-368, Marinus van Raden, between 1842 and 1879

watercolor paintings in the rijksmuseum amsterdam collection of j.g. de groot jamin

Boerderij aan een rivier, RP-P-1935-485, Hendrik Kobell, 1768

hand-colored engravings in the rijksmuseum amsterdam etchings of houses

"Dong Qichang Zhongjia Mountain Yinwang Plain Village Scene Picture Scroll", Dong Qichang

paintings of the ming dynasty in the palace museum hand scrolls from china - ming dynasty

Dr. Syntax and his Counterpart, Thomas Rowlandson, 1820

aquatint prints in the yale center for british art romanticism

"Scroll of Shenzhou Xinyi Ink-Cooking", Shen Zhou

paintings of the ming dynasty in the palace museum wu school

CAN-NO-SA-QUA; A Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

CHA-CO-TO, A Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

NABU-NAA-KEE-SHICK or The One Side of the Sky, A Chippewa Chief, from The Aboriginal Portfolio - SAAM - 1973.167.20, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WAA-NA-TAA or the Foremost in Battle; Chief of the Sioux Tribe, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

A Young Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

A Chippeway Woman and Child, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

NAH-SHAW-A-GAA The White Dog’s Son, Pottawatomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

PE-CHE-CO; A Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WADT-HE-DOO-KAANA; Chief of the Winnebagoes, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

NA-SHE-MUNG-GA, A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

BILLY SHANE; A Shawnee Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

THE SON; A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

SHOUNK-CHUNK the Black Wolf; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

O‑CHE-NA-SHINK-KAD or the Man that Stands and Strikes; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

SHE-SHEBA or The Little Duck; A Celebrated Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KEE-ME-ONE or Rain; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

PE-SCHICK-EE; A Celebrated Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

O’-CHECK-KA or Four Legs; Head Chief of the Winnebagoes of Winnebago Lake Michigan, from the Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Prairie Wolfes Attacking a Buffalo Bull Plates from Catlin's North American Indian Portfolio. Hunting Scenes and Amusements of the Rocky Mountains and Prairies of America, George Catlin, ca. 1865

lithographs by george catlin realism

PACHE-E-PO; A Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Les vautours et les pigeons (Vultures and Pigeons), Pierre Quentin Chedel, published 1756

etchings in the national gallery of art (washington, d.c.)works after jean-baptiste oudry

SHING-GAA-BA-W’OSIN or the Figure’s Stone; Chippewa Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

BREWETT; A Celebrated Chief Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

CAA-TAA-KE MUNG-GA or the Speckle’d Loon, A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Le torrent et la riviere (The Torrent and theRiver), Louis-Simon Lempereur, published 1756

etchings in the national gallery of art (washington, d.c.)works after jean-baptiste oudry

THE LITTLE CROW, A Celebrated Sioux Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

AT-TE-CONSE or the Young Rein Deer; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

FRANCIS GODFROY; A Celebrated Chief Among the Miamis, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

One Tree Hill, Greenwich Park, Thomas Rowlandson, 1802

prints in the national gallery of art (washington, d.c.)romanticism

WAA-BIN-DE-BA or the White Headed Eagle; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

the aboriginal portfolio ojibwa people

KITCH-EE-I-AA-BA or the Big Buck; A Chippewa Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WAA-KAUN-SEE-KAA or the Rattle Snake; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

TOO-SHA-NA-GAN-KA or The Little Otter; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MISH-SHA-QUAT or the Clear Sky; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WAA-TOP-E-NOT or the Eagle’s Bed; A Fox Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KER-O-MENEE; A Celebrated Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WA-KAUN or the Snake; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KE-WA-DIN or the North Wind; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

CAW-TAA-WAA-BE-TA or the Snagle’d Tooth; A Chippewa Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

TSHU-GU-GA; A Celebrated Chief half Winnebago and half French, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

CHAT-O-MIS-SEE; Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

PE-A-JICK; A Chippewa Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

O‑HYA-WA-NIM-CE-KEE or the Yellow Thunder; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

A Winnebago Woman; Wife of O’-CHECK-KA or Four Legs, from the Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

JACK-O-PA or the Six; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

A Sioux Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MI-A-QU‑A; A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

PEN-NOW-WE-TA; A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WA-EM-BOESH-KAA; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MEN-DOW-MIN or The Corn; A Chippewa Dwarf, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MAC-CUT-I-MISH-E-CA-CU-CAC or Black Hawk; A Celebrated Sac Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WEESH-CUB or the Sweet; A Noted Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

O‑WAN-ICH-KOH or the Little Elk; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WAA-BA-SHAW; A Celebrated Sioux Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

SUN-A-GET or Hard Times; A Pottawatomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KAA-NUN-DER-WAAGUINSE-ZOO or the Berry Picker; A Famous Chippewa Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WAA-PA-LAA or the Playing Fox; Prince of the Fox Tribe, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KEE-O-TUCK-KEE; A Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MO-WAN-ZA or The Little Wolf; A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

ASH-E-TAA-NA-QUET; A Celebrated Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

ME-NO-QUET; A Distinguished Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

On the Battlefield, Thomas Rowlandson

thomas rowlandson erotic engravings romanticism

View from the ruins of the fort of Currah, on the river Ganges, Thomas Daniell, 1801

paintings in the royal academy of arts orientalism

Kick Up at a Hazard Table, Thomas Rowlandson, circa 1787–90

william holland (publisher)romanticism

George Cox Keeaumoku II - Hawaiian Chief Portrait, Marie Joseph Alphonse Pellion, circa 1819.

j. alphonse pellion 1819 engravings

Antoine François Prévost

antoine françois prévost jacobus van der schley

Portrait of Louise-Antoinette de la Châtre, duchess d'Humière, Charles Beaubrun

17th-century portrait paintings in the château de bussy-rabutin portrait paintings by charles and henri beaubrun

Portrait of Vittorio Amadeo III of Sardinia (1726-1796), Maria Giovanna Clementi

portrait paintings by maria giovanna clementi (house of savoy)baroque

Portrait of Luise Ulrike Prinzessin von Preußen (1720-1782) mit Maske in der Hand, Antoine Pesne, circa 1744

portrait paintings of louisa ulrika of prussia rococo

Portrait of Ferdinand of Austria-Este (1754-1806), son of Maria Theresa of Austria, Francesco Corneliani

portrait paintings of archduke ferdinand of austria-este francesco corneliani

Setting Out to Fish, John Singer Sargent, 1878

en route pour la pêche (setting out to fish) (2014.79.32) by john singer sargent impressionism

uclalsc_sadleir3568I8_001

military swords

Market Place at Cambridge, Thomas Rowlandson, 15 November 1801

prints by thomas rowlandson in the metropolitan museum of art romanticism

Self-portrait, Study of a Hand and a Pillow (recto); Six Studies of Pillows (verso), Albrecht Dürer, 1493

self-portrait with a hand and a pillow by albrecht dürer german renaissance

The Feathers, Thomas Rowlandson, 1787

hand-colored aquatints romanticism

The Maiden Speech, Thomas Rowlandson, 5 October 1785

thomas cornell (artist)romanticism

Self-portrait, Study of a Hand and a Pillow (recto); Six Studies of Pillows (verso), Albrecht Dürer, 1493

self-portrait with a hand and a pillow by albrecht dürer german renaissance

paintings of the yuan dynasty in the palace museum calligraphy by zhao mengfu

Japon-1886-36, before 1886

hand-colored photographs of japan adolfo farsari album 01

"Portrait of a gentleman, standing three-quarter-length, in an embroidered coat", Justus Sustermans

female portraits by justus sustermans high renaissance

Portrait of a woman seated before a landscape and curtain, Jan de Baen

female portrait paintings by jan de baen dutch golden age painting

Leeuw, staande vrouw, fontein en twee panters of luipaarden, RP-P-1955-293, Johan Teyler, between 1688 and 1698

prints supervised by johan teyler in the rijksmuseum amsterdam people with hand fans in art

Mountain Colors at Lin'an by Wang Hui, dated 1696, Wang Hui

hand scrolls from china in the honolulu museum of art yushan school

Portret vrouw met waaier, RP-F-F22538, Heinrich Wilhelm Wollrabe, between 1880 and 1900

cartes de visite (portraits) in the rijksmuseum amsterdam photographs by heinrich wilhelm wollrabe

Van der Heyden after Bruegel, The Last Judgment, 1558

dutch and flemish renaissance painting,northern renaissance bruegel: die hand des meisters

Portrait of Martin-Guillaume Biennais, François Antoine Léon Fleury, 1835

françois antoine léon fleury martin-guillaume biennais

Caption: "[No. 4] H.M.S. Shannon Leading Her Prize the American Frigate Chesapeake into Halifax Harbour.", Louis Haghe, circa 1830.

prints in library and archives canada louis haghe

The Complaint and The Consolation: or Night Thoughts, William Blake, circa 1797

engravings in the yale center for british art romanticism,fairy painting

George Hendrik Breitner, Afb 010104000104, George Hendrik Breitner, 1901 t/m 1908

photographs by george hendrik breitner hague school

George Hendrik Breitner, Afb 010104000120, George Hendrik Breitner, 1905 t/m 1906

photographs by george hendrik breitner hague school

The Newbus Ox, William Ward, 1812

mezzotint prints in the yale center for british art works by william ward (engraver)

Winter Pastime, after F.F. Palmer, Nathaniel Currier, circa 1855

american prints in the brooklyn museum nathaniel currier

Ruins of the Abbey of Rijnsburg: Small Version, Hercules Seghers

etchings in the national gallery of art (washington, d.c.)baroque

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